Vibrant Voice of Jhaverchand Meghani

     
   
 
We are aware we have, despite our best efforts, not quite succeeded in
restoring fully and faithfully original unique voice of Jhaverchand Meghani from the available recordings
which were done as far back as eight decades ago, when sound recording technique was still in its infancy.

click below, on the title of the song, to listen
 


Bhetye Jhoole Chhe Talavaar


Beek Konee, Maa Tane ?


Hajaaro Varsh-nee Joonee Amaaree Vedanaao


Jha(n)daa-Va(n)dan


Taare Aavadee Laalap Kyaa(n)thee re

 

 


Aaj re Swpanaa-maa(n) Me(n) to Dolato Du(n)gar Deetho jo


Baalaa, Podho ne


Dhoodhe te Bharee Talaavadee


Ek to Raajadwaar-maa(n)


Galati ae Maajham Raat


Ghadiyaa(n) Lagna Raayavar


Hameerjee Gohil


Lavi(n)g Keree Laakadee-e

Nahee(n) Jaavaa Dau(n) Chaakaree


Naa Chhadiyaa(n) Hathiyaar


Sant Velanathjee


Sonal Garaasanee

 
Sootee re Hoy to Jaag re Goree


Sheni-Vijaanand


Tame Maaraa(n) Deva-naa(n) Deedhel Chho


Vaagher se Kajiyo Keedho

 
    
with his wife Corry Dr. Arnold A. Bake
(1899-1963)
Traditional Wire Recording
A Dutch researcher who travelled across India during 1938-39 to record folklore at the behest of Oxford University.
During his visit to Ranpur in January 1939 he recorded Meghani as he sang these songs :
Baalaa Podho ne, Hameerjee Gohil, Nahee(n) Jaavaa Dau(n) Chaakaree, Sonal Garaasanee, Sootee Hoy to Jaaga re Goree
  
   
78-RPM Gramophone Records
which Columbia and Young India companies came up with during 1934-1936
    
 

Meghani  says
`his heart bleeds when he hears a song of his being sung in a tune other than the original one in which he set it'

 
 
 
Copyright 2000 Pinaki Meghani. All rights reserved.